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“Color is a vital part of our existence.”
“Color can be a compelling entity, creating emotional responses in those who view it.”
Color Theory: (Sir Isaac Newton)
The Color Wheel:
Primary Colors:
- Red, Yellow, Blue
Secondary Colors: Formed by _____________________
- Orange , Green, Violet
Tertiary Colors: Formed by mixing primary and secondary colors
- Red-orange, blue-green, yellow-orange
Hue : the name of a color
: -Informal colors
-
-
-For designs seen from the distance
|
Characteristics |
Emotions |
RED |
Very showy, advancing |
Love, anger, hate, ambition, passion, aggression, agitation |
ORANGE |
Attention-getting & stimulating, gives radiance |
Festive, friendly, outgoing, vivacious, nauseous, putrid |
YELLOW |
Highly visible, attention-getting, vibrant Brightens, versatile with many colors, overwhelming if overdone |
cheerful, happy, cowardly, friendly, irritation
|
Design Tips:
-Allow adequate space for ___________ in a design; don't crowd, overpower
-Use ____________ for depth placements and to lend warmth and radiance
-Add small amounts of ____________ to a design to brighten and add “life”
: -Associated with cool mountain streams, ice & snow
-
-Recedes and fades away from the viewer, and is not easily viewed from a distance
|
Characteristics |
Emotions |
BLUE |
Receding & not highly visible from a distance Widely varies under different lighting |
Sincerity, strength, cold, sad, depressed |
PURPLE |
|
Royal, regal, kingly, hopeful with yellow—spring-like |
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GREEN:
Characteristics: New growth, energizing, increases sense of well-being
- .
- Doesn't attract attention, blending
Emotions:
Quiet, restful, peaceful (Too much or too dark -- bad mood)
-
Design Tips:
- Combine _________ with brighter, warmer colors for visibility
- ___________ adds depth to a design in combination with warm colors
-___________ has a blending, softening effect on “clashing” colors. It is the best choice for a neutral container color
NEUTRAL HUES: white, gray, black
Tint: adding white
Light values are stimulating, advancing, light in weight, and seem larger than they are
Shade: adding black
Dark values are releasing, receding, heavy in weight, and seem smaller than they are
High visibility hues- yellow and related hues
Low visibility- violet and related hues
Tone: adding gray -- Reduces intensity
Strong color: high degree of intensity, light value, warm, highly visible
COLOR DIMENSIONS are relative. A flower of yellow hue may seem greenish-yellow if a reddish-yellow flower is placed next to it. Dark values appear darker and light values lighter when placed next to each other. A hue may appear brighter when a dull flower is placed next to it.
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RELATED COLOR SCHEMES
Example: pink snapdragons, light pink carnations, dark pink roses
-
-different values and intensities may be used
Example: darker yellow calendulas, orange marigolds, brown bowl
UNRELATED COLOR SCHEMES
ex. Red and green
~more of one hue should be used than the other.
~values and/or intensities of 2 hues should be different
ex. Yellow with blue-violet and red-violet
ex. Red, yellow, blue
~1 hue should dominate in quantity
~use smaller quantities of the other 2 hues
ex. White with red or blue
~4+ hues
~1 color should dominate, and the scheme should generally warm or cool
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High Visibility = _____________ hues + ____________ values (tints) + ____________ intensities
Low Visibility = _____________ hues + ____________ values (shades) + ___________ intensities
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